I Spit on Your Grave III: Vengeance Is Mine | |
---|---|
Directed by | R.D. Braunstein |
Produced by | |
Written by | Daniel Gilboy |
Starring | |
Music by | Edwin Wendler |
Cinematography | Richard J. Vialet |
Edited by | Ana Florit |
Distributed by | Anchor Bay Films |
| |
91 minutes | |
Country | United States |
Language | English |
Box office | $144,420 [1] |
Torrent Contents. Non Violentate Jennifer - I Spit On Your Grave (1978) Non Violentate Jennyfer.avi 1,400 MB; Non Violentate Jennyfer.idx 27 KB; Non Violentate Jennyfer.sub 2,274 KB; Please note that this page does not hosts or makes available any of the listed filenames. Name: Non Violentate Jennifer - I Spit On Your Grave (1978).torrent. First seen: This torrent was added to the torrent network on 2/11/2019.
I Spit on Your Grave III: Vengeance Is Mine is a 2015 American rape and revengehorror film, directed by R.D. Braunstein from a screenplay by Daniel Gilboy. It is the third installment in the series. Sarah Butler reprises her role as Jennifer Hills from the 2010 film I Spit on Your Grave.[2]
Plot[edit]
The film follows the life of Jennifer Hills, continuing her story from I Spit on Your Grave. After Jennifer survived her assault and exacted revenge on the men who raped her, she avoided conviction for her killing spree and settled in Los Angeles. She is no longer an aspiring writer and now devotes herself between working as an assault hotline operator and going to group counseling under the assumed name Angela Jitrenka. She is also periodically shown attending personal therapy for her ordeal. Jennifer's scarring experience has left her highly distrustful and defensive towards most men, including her colleague Matthew, who has a seemingly genuine interest in her.
While in group counseling, Jennifer develops a bond with one of the girls in the group, Marla, who also does not trust men. The duo began their own personal crusade, by exacting poetic justice for victims of sexual assault. However, just as Jennifer begins to enjoy life, Marla dies under mysterious circumstances and no one is found guilty of her death. She becomes acquainted with Detective McDylan, an investigator to Marla's death who, however, fails to bring justice for Marla nor closure for Jennifer. Distraught and enraged at how the law could not help Marla nor the rape victims in her support group, she decides to get revenge for them.
One by one, Jennifer stalks and lures the unpunished rapists to a private place to torture and kill them. Her first victim is Marla's estranged boyfriend and alleged murderer, soon followed by the stepfather of a teenage member of the group. After befriending Oscar, the only male member of the support group who lost his daughter to suicide after a sexual assault, Jennifer tracks down his daughter's rapist. The man manages to overpower her as she tries to attack him, until he is shot dead by the police, whose attention Jennifer had been drawing through her actions. The police take Jennifer in for questioning, revealing their knowledge of her real identity in an attempt to obtain a confession. However Oscar, who had grown sympathetic to Jennifer's cause, walks into the police station after slashing his own arms, and publicly admits to the murders before dying from his wounds.
No longer the prime suspect, Jennifer is released but stays under police watch as a person of interest. She has a nervous breakdown, becoming further disillusioned with society and no longer able to discern well-meaning men from sexual predators. Clad in a suggestive red dress in order to bait men, Jennifer leaves her home, evading the police watch. First she unsuccessfully attacks Matthew and scares him away, then she tries to lure a local thug who had been harassing her. As Jennifer is about to kill him, she is shot and arrested by McDylan, who had been trailing her the whole time.
It is now revealed Jennifer's personal therapy sessions were part of her mandatory treatment following a two-year sentence for attempted murder, lacking evidence of the murders she actually committed. After completing the final session before her release, Jennifer leaves the doctor's office and switches the 'therapist' sign on the door to read 'the rapist'. She is then being attacked by two inmates, who she kills, before killing her therapist who had left the room to stop it, revealing that her fantasies of killing are not over. The film ends as she walks down the hallway smiling.
Cast[edit]
- Sarah Butler as Jennifer Hills / Angela Jitrenka
- Jennifer Landon as Marla Finch
- Doug McKeon as Oscar 'Koza' Kosca
- Gabriel Hogan as Detective McDylan
- Harley Jane Kozak as Therapist
- Michelle Hurd as Detective Glenn Bolton (in the end credits listed as 'Detective Boyle')
- Russell Pitts as Matthew
- Walter Perez as Chief
- Karen Strassman as Lynne
- Christopher Hoffman as Ron
Box office[edit]
The film opened in Russia and Ukraine on October 1, 2015. Russia debuted the movie at the number 11 with a total of $44,021 from 81 screens. Ukraine fared better with a fifth place opening and a weekend total of $18,603 from 48 screens. After a three-week run in Russia and Ukraine, the cumulative totals are $111,089 and $33,331 respectively[3][4]
References[edit]
- ^'I Spit On Your Grave: Vengeance is Mine'. Anchor Bay Films. Box Office Mojo. Retrieved 2015-10-01.
- ^'I Spit On Your Grave: Vengeance is Mine'. Bloody Disgusting. Retrieved 2015-10-18.
- ^http://www.boxofficemojo.com/movies/intl/page=&country=00&id=_fISPITONYOURGRAVE01
- ^'I Spit on Your Grave 3 (2015) - Financial Information'.
External links[edit]
- I Spit on Your Grave III: Vengeance Is Mine on IMDb
- I Spit on Your Grave III: Vengeance Is Mine at Rotten Tomatoes
Retrieved from 'https://en.wikipedia.org/w/index.php?title=I_Spit_on_Your_Grave_III:_Vengeance_Is_Mine&oldid=903267517'
I Spit On Your Grave | |
---|---|
Directed by | Meir Zarchi |
Produced by | Joseph Zbeda |
Written by | Meir Zarchi |
Starring |
|
Cinematography | Yuri Haviv |
Edited by | Meir Zarchi |
Cinemagic Pictures | |
Distributed by | The Jerry Gross Organization |
| |
102 minutes[1] | |
Country | United States |
Language | English |
Budget | $1.5 million[2] |
I Spit on Your Grave (originally titled Day of the Woman) is a 1978 American rape and revengehorror film written, directed and edited by Meir Zarchi. It stars Camille Keaton, Eron Tabor, Richard Pace, Anthony Nichols, and Gunter Kleemann. The film tells the story of Jennifer Hills, a fiction writer based in New York City who exacts revenge on each of her tormentors after four men gang rape and leave her for dead.
I Spit on Your Grave is noted for its very controversial depiction of extreme graphic violence, in particular the lengthy depictions of gang rape, that take up 30 minutes of the film's runtime. During its wider release, the film was branded a 'video nasty' in the United Kingdom, and was a target of censorship by film commissioning bodies.[3][4] As such, renowned film critic Roger Ebert became one of the most notable detractors of the film, calling it 'a vile bag of garbage'.[5] The film remains highly controversial to this day, even being considered to be one of the worst films ever made. For some, it is this controversy which has led to it being deemed a cult classic.[6] Despite the controversy and negative reviews, the performance of Camille Keaton was praised by critics. It made Time magazine's Top 10 Ridiculously Violent Movies.[7]
The film spawned a 2010 remake, which has since spawned two sequels of its own: I Spit on Your Grave 2 (2013), and I Spit on Your Grave III: Vengeance Is Mine (2015). A direct sequel, I Spit on Your Grave: Deja Vu, was released in 2019 with Zarchi and Keaton both returning.
- 3Production
- 4Release
- 4.1Critical reception
Plot[edit]
Short story writer Jennifer Hills (Camille Keaton) lives in Manhattan and rents an isolated cottage in Kent, Connecticut near the Housatonic River in the Litchfield County countryside to write her first novel. The arrival of the attractive and independent young woman attracts the attention of Johnny, the gas station manager, and Stanley and Andy, two unemployed men. Jennifer has her groceries delivered by Matthew, who is mildly mentally disabled. Matthew is friends with the other three men and reports back to them about the beautiful woman he met, claiming that he saw her breasts.
Stanley and Andy start cruising by the cottage in their boat and prowl around the house at night. One day, the men attack Jennifer. She realizes that they planned her abduction so Matthew can lose his virginity. She fights back, but the three men rip her bikini off and hold her. Matthew refuses to rape Jennifer out of respect and pity for her, so Johnny rapes her first; Andy anally rapes her next. After she crawls back to her house, they attack her again. Matthew finally rapes her after drinking alcohol. The other men ridicule her book and rip up the manuscript, and Stanley violently forces her to perform oral sex on him. She passes out; Johnny realizes that she is a witness to their crimes and orders Matthew to go and murder her. Matthew cannot bring himself to stab her, so he dabs the knife in her blood and then returns to the other men, claiming that he has killed her.
In the following days, a traumatized Jennifer pieces both herself and her manuscript back together. She goes to church and asks for forgiveness for what she plans to do. The men learn that Jennifer has survived and beat Matthew up for deceiving them. Jennifer calls in a grocery order, knowing that Matthew will deliver it. He takes the groceries and a knife. At the cabin, Jennifer entices him to have sex with her under a tree. She then hangs him alive and drops his body into the lake.
At the gas station, Jennifer seductively directs Johnny to enter her car. She stops halfway to her house, points a gun at him, and orders him to remove all his clothing. Johnny insists that the rapes were all her fault because she enticed the men by parading around in revealing clothing. She pretends to believe this and invites him back to her cottage for a hot bath, where she masturbates him. When Johnny mentions that Matthew has been reported missing, Jennifer states that she killed him; as he nears his orgasm, she takes the knife Matthew brought with him and severs Johnny's genitals. She leaves the bathroom, locks the door, and listens to classical music as Johnny screams, bleeding to death. She dumps his body in the basement and burns his clothes in the fireplace.
Stanley and Andy learn that Johnny is missing and take their boat to Jennifer's cabin. Andy goes ashore with an axe. Jennifer swims out to the boat and pushes Stanley overboard. Andy tries to attack her but she escapes with the axe. Andy swims out to rescue Stanley, but Jennifer plunges the axe into Andy's back, killing him. Stanley moves towards the boat and grabs hold of the motor to climb aboard, begging Jennifer not to kill him. She repeats an order he made to her during the sexual assaults: 'Suck it, bitch!' She starts the motor, disemboweling him with the propeller, and she speeds away.
Cast[edit]
Camille Keaton starred in the film as Jennifer Hills. Director Meir Zarchi has called her 'brave' for accepting this role.[8]
- Camille Keaton as Jennifer Hills
- Eron Tabor as Johnny Stillman
- Richard Pace as Matthew Duncan
- Anthony Nichols as Stanley Woods
- Gunter Kleemann as Andy Chirensky
- Alexis Magnotti as Becky Stillman (Johnny's wife)
- Tammy Zarchi as Melissa Stillman (Johnny's daughter)
- Terry Zarchi as Johnny Stillman Jr. (Johnny's son)
- Traci Ferrante as waitress
- William Tasgal as porter
- Isaac Agami as butcher
- Ronit Haviv as supermarket girl
Production[edit]
Writing[edit]
The inspiration for I Spit on Your Grave came from an encounter writer-director Meir Zarchi had in 1974 with a young woman who was raped and beaten by two men at a park in New York City.[9] The idea did not begin to fully develop until Yuri Haviv, the film's cinematographer, invited Zarchi to spend the weekend at a summer house he had rented in Kent, Connecticut which contains an extension of the Housatonic River nearby. Zarchi eventually chose to shoot in these locations because they provided a peace and quiet atmosphere for the film's heroine, Jennifer Hills.[9] He spent four months writing the screenplay, the bulk of which was written at his usual Subway route to his office in Times Square and back home where his wife would then typewrite the handwritten pages in the evening. The typewriter his wife had used is seen in the film as the same ones Jennifer uses to complete her manuscript.[9]
Casting[edit]
To cast the stars, Zarchi put up a casting call advertisement in Backstage magazine that sought for one woman and four men in their 20s to star in a low-budget production. Camille Keaton was one of over 4,000 actresses who auditioned for the role of Jennifer.[9] Zarchi set up an interview for Keaton and found her to be an 'experienced actress' as well as 'beautiful and photogenic'. After a series of auditions to test Keaton's suitability to the role, Zarchi was convinced that she can play it effectively.[9]
Release[edit]
Zarchi was unable to find a distributor, so he distributed the film himself. It played a number of engagements in rural drive-in theaters, but only for brief runs each time, and Zarchi barely made back what he spent in advertising. In 1980, it was picked up for distribution by the Jerry Gross Organization. A condition of this re-release was that they could change the title to anything they wished. It was at this time the film was retitled I Spit on Your Grave.[10]
Critical reception[edit]
I Spit on Your Grave received universally negative reviews from critics. Film critic Roger Ebert referred to it as 'a vile bag of garbage...without a shred of artistic distinction', adding that 'Attending it was one of the most depressing experiences of my life.'[11] He mentioned in his review that a female member of the audience (one of many people who randomly talked aloud) had 'feminist solidarity for the movie's heroine'. He wrote, 'I wanted to ask if she'd been appalled by the movie's hour of rape scenes.' Ebert was also one of many to cite the movie's poor production quality as a weakness in addition to the scenes he found offensive, stating 'The story of I Spit on Your Grave is told with moronic simplicity. These horrible events are shown with an absolute minimum of dialogue, which is so poorly recorded that it often cannot be heard. There is no attempt to develop the personalities of the characters - they are, simply, a girl and four men, one of them mentally retarded. The movie is nothing more or less than a series of attacks on the girl and then her attacks on the men, interrupted only by an unbelievably grotesque and inappropriate scene in which she enters a church and asks forgiveness for the murders she plans to commit.'[12] Ebert also included it on his 'most hated' list and considered it to be the worst movie ever made.[13] Both Ebert and fellow critic Gene Siskel blasted the movie on their television program Sneak Previews.[14] In a later episode, Siskel and Ebert chose the film as the worst film of 1980, with Ebert famously saying 'the people who made this film should really be ashamed of themselves, and so should the people who booked it and the people who went to see it--it's really an inhuman, sick film'.[15] Siskel would join Ebert in calling the film one of the worst ever made.[16]
Critic Luke Y. Thompson of The New Times stated that 'defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing'.[17] Film critic Mark Kermode has opined that it is 'deeply, deeply problematic at the very best of times' and is not as interesting as earlier exploitation films such as The Last House on the Left. Critic David Keyes named it the worst film of the 1980s.[17] This led to the film's removal from a major theatre.
Encyclopedia of Horror notes that the film attracted much debate for and against, frequently involving people who clearly had not actually seen the film. 'The men are so grossly unattractive and the rapes so harrowing, long-drawn-out and starkly presented it is hard to imagine most male spectators identifying with the perpetrators, especially as the film's narrative structure and mise-en-scene force the spectator to view the action from Keaton's point of view. Further, there is no suggestion that she 'asked for it' or enjoyed it, except, of course, in the rapists' own perceptions, from which the film is careful to distance itself.' The book continues that the scenes of revenge were 'grotesquely misread by some critics', as Jennifer only 'pretends to have enjoyed the rape so as to lure the men to their destruction', and that in these scenes the film is critiquing 'familiar male arguments about women 'bringing it on themselves' as 'simply sexist, self-excusing rhetoric and are quite clearly presented as such'.[18]
Later reception[edit]
The initial criticism was followed by reappraisals of the film. Michael Kaminski's 2007 article for the website Obsessed with Film, titled 'Is I Spit on Your Grave Really A Misunderstood Feminist Film?' argues that, when understood within the context in which director Zarchi was inspired to make it, the movie may be equally appropriate to analyze as 'feminist wish-fulfillment' and a vehicle of personal expression reacting to violence against women.[19]
A reappraisal was made by Carol J. Clover in the third chapter of her 1992 book Men, Women, and Chainsaws. Clover notes that she and others like her 'appreciate, however grudgingly, the way in which [the movie's] brutal simplicity exposes a mainspring of popular culture'. Clover further argues that the film's sympathies are entirely with Jennifer, that the male audience is meant to identify with her and not with the attackers, and that the point of the film is a masochistic identification with pain used to justify the bloody catharsis of revenge. Clover wrote that in her opinion, the film owes a debt to Deliverance.[20] The British feminist Julie Bindel, who was involved in pickets outside cinemas in Leeds when the film was released, has said that she was wrong about the film and that it is a feminist film.[21]On review aggregator Rotten Tomatoes, I Spit on Your Grave holds an approval rating of 53%, based on 34 reviews, and an average rating of 4.59/10. Its consensus reads, 'I Spit on Your Grave is as aggressively exploitative as its title suggests, although as a crude rejoinder to misogyny, it packs a certain amount of undeniable power.'[22]
International bans[edit]
Many nations, including Ireland, Norway, Iceland, and West Germany, banned the film altogether, claiming that it 'glorified violence against women'. Canada initially banned the film, but in the 1990s decided to allow its individual provinces to decide whether to permit its release. Since 1998, some provinces (such as Manitoba, Nova Scotia, and Quebec) have released the film, with a rating that reflects its content.
The censored American version of the film was released in Australia in 1982 with an R 18+ rating. In 1987, the film survived an appeal to ban it. It continued to be sold until 1997, when another reclassification caused its ban in Australia. In 2004, the full uncut version was awarded an R 18+, lifting the seven-year ban. The Office of Film and Literature Classification justified this decision by reasoning that castration is not sexual violence (Australian censorship law forbids the release of films that depict scenes of sexual violence as acceptable or justified).[23]
In the United Kingdom, the film was branded a 'video nasty'. It appeared on the Director of Public Prosecutions's list of prosecutable films until 2001, when a heavily cut version which extensively edited the rape scenes was released with an 18 certificate. All subsequent releases of the film have received similar cuts.
In New Zealand, the uncut version of the film (102 minutes) was classified in 1984 as R20 with the descriptive note, 'Contains graphic violence, content may disturb'. Other versions with shorter running times (96 minutes) were also classified in 1984 and 1985, and received the same classification.
The Irish Film Board has again banned the film from sale. Having been banned for many years in the country, the new Blu-ray and DVD uncensored edition has been prohibited from purchase by retailers due to the nature of the film.[24]
Zarchi's inspiration and responses to criticism[edit]
In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York. He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked (he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked). They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.
They quickly decided that they had made the wrong decision — the officer, whom Zarchi described as 'not fit to wear the uniform', delayed taking her to the hospital and instead insisted that she follow formalities such as giving her full name (and the spelling), even though her jaw had been broken and she could hardly speak. Zarchi insisted that the officer take her to the hospital and he eventually complied. Soon afterwards the woman's father wrote both Zarchi and his friend a letter of thanks for helping his daughter. The father offered a reward, which Zarchi refused.[25]
In the same commentary, Zarchi denied that the film was exploitative and that the violent nature of the film was necessary to tell the story. He described actress Camille Keaton as 'brave' for taking on the role.[8]
Sequels and remake[edit]
The film was followed by an unofficial sequel, Savage Vengeance (the title card on the movie was misspelled as Savage Vengance) (1993) in which Camille Keaton (under the alias of Vickie Kehl for unknown reasons) reprises the role of Jennifer. However, no scenes from I Spit on Your Grave were used for the flashbacks. The film barely went for 65 minutes, and received extremely negative reviews from critics and fans alike.[citation needed]
CineTel Films acquired rights to remake I Spit on Your Grave, which had a Halloween 2010 worldwide theatrical release. The remake was produced by CineTel president and CEO Paul Hertzberg and Lisa Hansen, with Jeff Klein, Alan Ostroff, Gary Needle and Zarchi as executive producers.[26] Steven R. Monroe directed, with newcomer Sarah Butler starring as Jennifer. The follow-up I Spit on Your Grave 2 was released on September 20, 2013, starring Jemma Dallender, Joe Absolom, Yavor Baharov, and Aleksandar Alekiov. It was directed by Steven R. Monroe and written by Thomas Fenton and Neil Elman. A second sequel, I Spit on Your Grave III: Vengeance is Mine, arrived in 2015.[citation needed]
The official sequel I Spit on Your Grave: Deja Vu, directed by original director Meir Zarchi, was finished in October 2016 with Camille Keaton reprising her role as Jennifer Hills.[27]
Home media[edit]
The film received its first Blu-ray release on 20 September 2010 in the United Kingdom from 101 Films. It was released in an 'Ultimate Collector's Edition', containing the film on both Blu-ray and DVD, a collector's booklet and poster. It is the most complete version released in the UK, but it is not uncut - cuts of almost three minutes were required for an '18' rating [28] to the rape scenes (previous UK releases were cut by over seven minutes[29]). It was also released alongside the remake in a 'Limited Collector's Edition' on 7 February 2011 in the UK.[30] It was released on 8 February 2011 in the United States from Starz/Anchor Bay Entertainment.[31] In Australia, the film was released on 16 March 2011 as a 'Director's Cut' edition.[citation needed]
See also[edit]
References[edit]
- ^'I Spit on Your Grave (1978)'. British Board of Film Classification. Retrieved August 7, 2017.
- ^Roche, David (2014). Making and Remaking Horror in the 1970s and 2000s. United States: University Press of Mississippi. p. 9. ISBN978-1-61703-962-1.
- ^Phelan, Laurence. 'Film censorship: How moral panic led to a mass ban of 'video nasties''. The Independent. Retrieved 19 February 2017.
- ^'I Spit On Your Grave'. British Board of Film Classification. Retrieved 19 February 2017.
- ^Ebert, Roger (16 July 1980). 'I Spit on Your Grave Movie Review (1980)'. Chicago Sun-Times. Retrieved 18 February 2017.
- ^Hardy, Ernest (18 September 2013). 'Full of Gruesome Sexual Violence, I Spit on Your Grave 2 Is an Unnecessary Sequel'. The Village Voice. Retrieved 28 February 2017.
- ^'Top 10 Ridiculously Violent Movies'. Time. 3 September 2010.
- ^ ab'Day of the Woman: EOFFTV Production Notes'. Eofftv.com. 2009-01-01. Archived from the original on 2012-04-06. Retrieved 2013-06-05.
- ^ abcdeMeir Zarchi (director). I Spit on Your Grave Blu-ray edition (audio commentary). Anchor Bay Entertainment.
- ^'Cult Corner: I Spit on Your Grave (Day of the Woman, 1978) - SquabbleBox.co.uk - Entertainment Under Attack'. www.squabblebox.co.uk.
- ^Roger Ebert (July 16, 1980). 'Review of I Spit on Your Grave'. Chicago Sun-Times. Retrieved 2007-03-20.
- ^'I Spit on Your Grave'. Chicago Sun-Times.
- ^Roger Ebert (28 May 1998). 'Video Q&A'. The Ledger. Retrieved 3 November 2013.
- ^'Classics from the Vault: Women in Danger (1980)'. Ebert Presents. Retrieved 2013-06-05.
- ^http://clip-bucket.com/arslan-hassan, Modified by Richi from Juapo2Services & Developer by Arslan Hassan -. 'Siskel & Ebert org - Worst of 1980'. siskelandebert.org.
- ^Gene Siskel (1983-08-17). ''Man Who Wasn't There' would best be left unseen'. Chicago Tribune. Retrieved 2013-10-02.
- ^ ab'I Spit on Your Grave (Day of the Woman)'. Rotten Tomatoes. Retrieved 2013-06-05.
- ^Milne, Tom. Willemin, Paul. Hardy, Phil. (Ed.) Encyclopedia of Horror, Octopus Books, 1986. ISBN0-7064-2771-8 p 329
- ^Michael Kaminski (October 29, 2007). 'Is I Spit on Your Grave Really a Misunderstood Feminist Film?'. Obsessed With Film. Archived from the original on 2007-10-31.
- ^Berlatsky, Noah. 'The Best Rape Deterrent Hollywood Has Ever Made'. The Atlantic. The Atlantic Monthly Group. Retrieved 2013-03-23.
- ^Bindel, Julie (2011-01-19). 'Rape films vs realism – Julie Bindel'. The Guardian. London.
- ^'I Spit on Your Grave (Day of the Woman) (1978) - Rotten Tomatoes'. Rotten Tomatoes.com. Fandango Media. Retrieved 4 June 2019.
- ^'Details for I Spit On Your Grave'. Refused-Classification.com. Retrieved 2007-03-20.
- ^'Ireland Bans I Spit on your Grave'. Horror Society. 17 September 2010. Retrieved 1 November 2011.
- ^'100 Years of Horror: A Celebration of the Top Ten Most Controversial Horror Films!'.
- ^Fleming, Michael (2008-06-03). 'Cinetel set for 'Grave' remake'. Variety. Archived from the original on 2008-12-10. Retrieved 2008-07-03.
- ^Miska, Brad. 'Meir Zarchi Just Finished a Sequel to His Own 'I Spit On Your Grave'!'. Bloody Disgusting.
- ^'BBFC 2010 DVD report'.
- ^'BBFC 2001 report'.
- ^'Dual Blu-ray Review: 'I Spit On Your Grave' (1978/2010)'. Bloody Disgusting. 9 February 2011. Retrieved 1 November 2011.
- ^'I Spit on Your Grave Blu-ray'. blu-ray.com. Retrieved 1 November 2011.
External links[edit]
- I Spit on Your Grave on IMDb
- I Spit on Your Grave at AllMovie
- I Spit on Your Grave at Rotten Tomatoes
Retrieved from 'https://en.wikipedia.org/w/index.php?title=I_Spit_on_Your_Grave&oldid=917030667'